诠释文化对影片翻译的影响

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Abstract:Differenceineasternwesternculturecausesathingdifferentinvalueorientation，Translationofaworkofamoviegetsawayofdirecttranslation，and，it''''spossibletoadmitforanaudience.It’sneedtochangedtheCultureinthemovie.

Keyword:TranslationofamovieCulturegap

China''''smovietranslationenterprisehaspassedthroughmorethan50yearmagnificentcourse，Movietranslatorofferedmanyoutstandingtranslatedmoviestothemassaudiences.Throughtheseoutstandingtranslatedmovies，theaudiencewhileunderstoodforeignlandlocalconditionsandsocialcustomsalsotofeelthelanguageinfinitecharm，manysplendiddialogueshavebecomethebeautifullinewhichstruggledisoneverybody''''slips.If"therewillbebread.Allwouldhave."(theformerSovietUnionfilm"Leninin1918")hasinspiredgenerationsofadversityliveaudienceinChina.Evidently，thefilmasthemassmedia，itssocialeffectsareincalculable.However，inacademicfields，Becauseoftheimpactofsecularbias，thefilmiscertainlyverycold:TranslationStudies，TranslationStudiesseemtocompletelyignorethisareaforthe.Tothisend，China''''sfamousscholarsTelevisiontranslationProfessorQianShaowrotethatTelevisiontranslationofthetranslationisfarlessattentiontoliterary

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anslation.ThistranslationoftheTelevisiondisproportionateroleinthecommunity.ThisphenomenonfrequentlyThisshouldarousetheattentionofthetranslationindustry.

1、Languageandculture

Thelanguageisacountryculturecarrier，reflectsthiscountry''''sthepoliticaleconomy，thematerialculture，thereligiousbelief，themannersandcustomsandsoon.Thelanguageisdifferent，thethinkingmode，thebehaviorwayaswellasthelanguageexpressionwayisalsodifferent.Thelanguageinthesoundfilmistheessentialconstituent，inthemovieworkthesplendiddialogue，thefragmentmakesonebeworthhearingahundredtimes，cannotdismissfrommindforaverylongtime.Thecultureinthesocietyonlikethememoryintheindividual，wasthepeopleallfeasiblethingprecipitationgetsdowninthepastlife，turnedthelanguageslowly，turnsthewriting，turnsmusic，turnsthecustom，turnstheconstruction，turnstheclothing，eventurnednottheobviousthinkingmode，didnotaffectthefuturethought，theexperienceandthemotion.

Languageandculturalinterdependent.Languageisthecrystallizationofculture，cultureistransmittedthroughlanguage.Pragmaticexchangesasamediumfortheinevitabletranslationdifferentlanguagedealcannotbutbewiththeirrespectiveculturecommunication.Translationunderstandingofthebasiclinksandexpressionissubjecttotheoriginallanguageandtranslatedphrasestructurerules，andtheirrulesfortheuseofdoublerequirement.Understandtheresultsoftheoriginallanguageisthemeaningandbearingtheculturalinformation，Itfamiliarwiththeoriginallanguageoftherulesandstructureoftheuseofrulesofthecommunity，whichcannotbedivorcedfromtheoriginallanguageofsocialandculturalfactors;expressionwiththepurposeofunderstandingfoundintheinformationwiththetargetlanguageinitssocialandculturalcontextfortheeffectiveexchange，Itconsistentwiththestructureoflanguagetranslationrulesandtherulesfortheuseoftheconditions，Soinkee

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gwiththetargetlanguagethesocialandculturalfactorscollide，theintegrationphase，therefore，themissionofthetranslation，inthefinalanalysis，isasocialandculturalcontexttogetoutandthenenterasocialandculturalcontext，anditsappearanceandthelanguageisthelanguageofcommunication，andtheessenceofcultureandculturalexchanges.Therefore，theculturaltranslationbythepointofviewoflanguageisthecarrierofculture，cultureisthelanguageoftheregulation，translationiscultureandcultureofdialogue，cross-culturaltransmission.Assuch，thetranslatormustbefamiliarwiththetwocultures.

Translationcross-culturalcommunicationistheintermediarylinks，cultureandcommunicationwiththedualnature.Andthedisseminationofcultureandintegration，islikea"wave-particleduality"--its"tablets"isacultural，The"wave"isspread.(15)Inotherwords，CultureandCommunicationeachotherforthesurvivalofthatcultureisthespreadofcontent，isculturally.culturalcontextofcommunications.Therefore，wecansaythisistheprocessoftranslatingcultureandthecultureofdialogue，thedisseminationofculture，translationitselfisaculture，isspreadoccursinthelanguageexchangesintheprocessofcross-culturalcommunication.

Thisshowsthatthetranslationisnotassimpleasitisnotonlydoinglanguage，inwhichitstressescultureinthestory;Weshouldnotonlyunderstandonelanguage，oneculture，butalsolinksthetwolanguages，twocultures--ThisistheminimumconditionForthisone，everyoneisverydifficulttodo.CulturalImages"aculturalsymbol，ithasarelativelyfixeduniqueculturalmeaning，andsomearestillrichwithmeaningLenovofar-reaching，aslongasthepeopleImentionedthem，atacitunderstandingbetweeneachotherimmediately，veryeasytocommunicateideas."phenomenaandtheimplicationofthetwoimagesisanimportantcomponent.Phenomenaisthesignificanceoftheinformationcarrier，whichwasformedimageoftheobjectivefacts;impliesisphenomenainacertainlanguageandtheculturalenvironmentoftheextendedmeaning.Imagerythatisthefunctioninavarietyofcontexts，withconcretetotheabstractperformance，knownoreasytoknowtheunknownorenlightenmentisdifficult

to

know.IftheSongDynastypoetSuShi，inhisfamous"OdeofChibibefore，"usingsuchEphemeropteraChaoshengmusismallinsectstodescribelifeisshort，peopleareveryinsignificant:"Ephemeropterasenttoearth，therehasbeenadropintheproverbialbucket."EnglishProverbItisthelaststrawthatbreaksthecamel''''sback.meaning"cameloverloading，withastrawitwillbecrushed."Proverbsimagerywordsthelaststraw"Finallyaricegrass，"andvividlysymbolize"ofapeopleorsomethingintolerabletothepole."

2、Culturalreconstruction

Themovietranslationnamelyhasthegeneralcharacterwithotherliteraryworktranslationalsotohaveitsownparticularity.Sameisallisexpressesinthethoughtwiththelanguageart，differentisthemovietranslationneedssimultaneouslytoachievemanifestsinthewriting，formsinthesound，expressesintheaudience.

ButChinese，Englishbelongtheentirelydifferenttwobiglanguagefamilies，ChinesearetheglyphEnglisharethealphabeticscripts.Movietranslatormustcarryonthesuccessfulcutbetweenthesetwokindofentirelydifferentlanguagefamiliesisnotaneasymatter.Theculturalreconstructionfindsateverywhereinthemovietranslation.

TheEnglishmovie《RedShoes》，mainlynarratedanEnglandballerinacannotmakethecorrectchoicefacingloveandtheenterprise，finallymovestowardsthecliffthechillywanstory.Atfirstwhendomesticshowing，themovieistranslated“thereddanceshoes”，althoughtheliteraltranslationisfaithfultoEnglishoriginalintention，alsothreadsuptheplot，butappearsafterallwritesinastraightforwardmanner，arousesaudience''''sanyassociationwithdifficulty.Laterperiod，theidenticalmoviefilmtitleistranslatedonaforeignoutstandingmovieexhibitiontour“theredwaterchestnuttobecolorful”，thinsavorsthin，althoughthemovieflippedthetranslatortocomparewiththatdoubledelicatereddanceshoestheredwaterchestnutwhichtheChineseaudiencewomenandchildrenallknew，theimplicationredwaterchestnutgrewinthemuddywatersludge，actuallytenderandbeautifulenchanting，curvedredwater，justedlikeChinaancienttimesfemale''''swoman''''sboundfeet，thewoman''''sbound

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etalthoughexquisite，butcondensedhowmanyfemale''''stearsofblood，somehasevenpaidthelifepriceforit.Thereforepasses“theredwaterchestnuttobecolorful”thisfilmtitletocausetheaudiencetoassociateisputtingonliketheredwaterchestnutdanceshoesdancinggirlgorgeousactuallystarcrossed.Translator''''singeniousborrowing“theredwaterchestnut”aword，theChineseculturewillgraftthemovieintheimplication，thesuccesshasrestructuredonetheculturalimagewhichfortheChineseaudiencefamiliar，willcomprehend，accepts[Www_LunWenNet_Com]

TheAmericanmovie《WaterlooBridge》，describedFirstWorldWarperiod，youngattractiveactressMasuriumLaknewyoungmilitaryofficerLuoontheWaterloobridgetodependon，hascombinedtomakeorbecomethelover.Butafter，MasuriumLalearnedLuoYidiedinbattlethebattlefield，isindeepsorrow，inordertosurvivereducesfortheprostitute.WhenLuoappearsaccordingtothemiracle，sheisunablefacingthereality，forloveandthereputation，shearrivesoncemorewithLuoaccordingtothefirstloveplace，gotkilledonthewheelbillowingWaterloobridge.Itiswellknown，in1817EnglandhasmadetheWaterloobridgeintheThamesriverbankinvestment，commemoratestheWellingtondukebythistodirecttheEnglisharmytodefeatthebattleofwaterloovictorywhichNapoleonobtains.Iftheliteraltranslationfilmtitleis“theWaterloobridge”，assoonaslookedforthefirsttime，theaudiencecanthinkthisisonegoestowartherelatedwarpiecewithNapoleonoristheintroduction

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dthisbuildingrelateddocumentaryfilm.IntheChineseseveralmillenniumculturalhistories，withthebridgecorrelationlovestory，suchas，thecowherdandtheweavingmaidens“meetingoflovers”，theShanxiProvinceLantian“thebluebridgemeets”andsoon.“Thebluebridgemeets”plothasplacesofthemanyequallygoodresultsfromdifferentmethodswithWaterlootheBridge.Thereforethetranslatorfinallytranslatesthefilmtitle“thesoultobreakthebluebridge”，hasavoidedtheaudienceingeniouslybecausethecityculturaldifference，thehistoricalperspectiveknowledgelackslosingwhichcauses，assoonasborrows“thebluebridge”tocausetheaudiencetoseethefilmtitleinstantlycomprehendsthisisaboutlovemovie.

Britishfilm"NightMerry"intheconversation:

Peter:Oh，this?Well，IlikeprivacywhenIretire.Yes，I’mverydelicateinthatrespect.Pryingeyeeeesannoyme.BeholdthewallsofJerichho!Err，maybenotaaasthickaastheonesthatJoshuablewdownwithhistrumpet.Ijustshowyoumyheart’sintherightplace，I’llgiveyoumybestpairofpajamas.DoyoumindjoiningtheIsraelites?

Whitesaidthisisaveryrepresentative，becauseinthemeantime，saidtherewere"Jerichowalls，Joshua.Israelis"andthree"Bible"ofthehistoricalstoryofthewords.Asweallknow，theprevalenceofBuddhistEast，particularlyinChina，ChineseviewerscangetsomeideaofBuddhism，andtheWesternculture，especiallytheWesternreligioushistoryknowsverylittleabouttheculture.HencethefilmswitchforamomenttheChineseaudienceoftheabovethreeisalinkbetweenadifficultmatter.Theydonotunderstandthis，"Jerichowall"，"Joshua"and"Israelis"betweenwhatistherelationship.LiteraltranslationfortheabovenotonlyChineseaudiencesLeepuzzling.Italsolostthefilmtranslationofrealmeaning.ToenabletheChineseaudienceawareofthisthreetermsofrelationssothatthetextofthoseinvolvedinthespecialculturalimageryfullness，Translatorinthefilmtranslationofthistextasfollowsembellishment:

Peter:this?Idonotwanttobreaktheinterferencebyothers，inthatregardIamverysensitive，othersdonotwanttobepeepedat.Youseethisasthe"Bible"oftheJerichowalls，Althoughnotasgoodasthe"Bible"--IsraelicommanderJoshuatrumpetblownbythethickness，thanitmuchsafer.Yousee，Ididnotbuglecall，inordertoexpressmyimpartiality，andIputmypajamashappenstothebestofyouright.YoudonotwanttheIsraelis?Becauseofthe"Jerichowall"，"Joshua""TheIsraelis"fromthe"Bible"ofthewordsaddedtothestorythenecessaryculturalmeaningXiurunwords，audiencesnotonlyunderstandthe"story"ofthesourceThenextintheContextalsorealizeafinalword"Israel"referstothespecific.Xiurunstrengthenedthelanguageinthecontextoftransparency;Enhancetheculturalimageintheaudienceunderstandingofthedefinition.

ThemovietranslatestheChinese-adaptedreconstructionthesignificancetolieinittobeableeffectivelytoachievepromptlythemovieworktheconcealedimplication，causestheeffectwhichtheaudienceunderstands.

3、Theculturetouchesup

AsaresultoftheEastandWestculturedifference，movietranslatorshouldhelptheaudiencetounderstandasfaraspossiblethesewithanationality''''shistory，theregionculture，thereligiouscustomandsoonhavetheclosecorrelationlanguagephenomenon.Inifthemovietranslationdoesnotdotocertainspecificculturalimageanytouchesupprocessing，considersthematterinandofitselftheliteraltranslation，cancreatethisculturalimagethedamage，theculturalimplicationistorntopieces.

AmericanmovieWaterlooBridge，fromtheverybeginning，hasthiskindofsectionofoffscreenvoices:

Announceer’sVoice:At11:15thismorning，thePrimeMinisteer，speakingtothenationfromNumbeerTenDowningStreet，announcedthatGreatBritainisatwarwithGermany.

Right“NumbeerTenDowningStreet”thisconcealmentcultureimagegeographicnamedoesnotgivesupplementshowingthespeech，believedtheoverwhelmingmajorityChinaordinaryaudiencemeetstheuninformedatseaitscloud.Firsttheaudiencedoesnotknow“NumbeerTenDowningStreet”inanyplace.Next，theydidnotknowtheradioannouncermentions“NumbeerTenDowningStreet”inheretohavewhatspecialimplicationespecially.Inordertoenablethemovietranslationtoreachitinthelimitedtimeinthemassaudiences.Thetranslatorsuitablytoabovetranslatesthedocumenttoappropriatelysupplementstouchesup，“NumbeerTenDowningStreet”willtranslateEnglishprimeministerthemansion.Throughsupplements“Englishprimeministerthemansion”，causestheaudiencenowatlasttrulyrealized“NumbeerTenDowningStreet”truemeaning.Here，“NumbeerTenDowningStreet”concealstheimagethree-dimensionalunfoldsinaudience''''sfront，theaudienceunderstoodonlythentrulyhastypicallytheterr

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ryculturegeographicname“NumbeerTenDowningStreet”completeculturalconnotation.

Filmtranslationsomewhatliketwo-man，andthedramatispersonae-mouthassemblyactorvoicessound，wordsandphraseasitsmouth.Translationtaskistoprovideablueprintforthedubbing，askedtoguaranteetheaccurate，vivid，touchingpremise，inanattempttolengthRhythm，ventilation，pauseandevenopen-mouth，andotheraspectsofcooperationwiththedramatispersonaeseektospeakexpression，consistenttone，finallygivetheaudienceheardthesounds，toseepeoplewhoknowWhichstatementfromthemouth.Translationmusttakeintoaccountastandstill，rhythmandmovement，thecharacters，butalsoimprovedtheformalandresourcefulnesslanguage，humor，intendedimplication，subtext.Finally，youneedtothinkoperaisstaged，butalso"singalong."Itistheseelementsgivethescripttranslationstagetheaterseekstorebuildtheformalbeautyofcharacter.

Strictlyspeaking，thetranslationofafilmlikefillingaword，thinkingthecontentscannotbealtered.Eachexpressionhasthe"styleMelody"hasalsobeenstrictlylimited.Iftranslatorneglected"Itype"ofthelaw，regardlessofthewords"priorities"，saidthemayorshort，"meaningtherightcanbe，"Well，thevoice-over:guns，thentherewillbethefollowing:Forexample，toolongphrasetranslation，dubbingcanonlyacceleratethepaceof"drive"--theresultsbecomecalmmindanxiously.theoccurrenceofthecharactershownimpetuouslightly;Instead，thetranslationoflongsentencestooshort，dubbingcanonlyslowdownthe"stall"--theresultsbecomeagitatedenthusiasmsluggishindifferenceabledecisivebecomeHadnoresolution.andsoonandsoforth.

4、CulturalImageConversion

Linguistsbelievethatalltheworldtoseethesameobjective，differentethniclanguageswillgiveit"brushdifferentcolors."Becauseofthis，theculturaldislocationimageswillbespecificperformanceasametaphorforthecultureofbodyimageonthedifference.Inotherwords，inaculturaltraditionimpliesapositiveimageofabeautifulcultureinanotherculturepodiumsbecomenegativeimplicationoftheuglyCulturalImages.

Britishfilm"WutheringHeights"hasthiskindofafragment

Isabella:It’sabrother’sduty，dearEdgaar，tointroducehissisteertosomeothertypethanfopsandpaleyoungpoets.

Edgar:Oh，youwantadragon?

Isabella:Yes，Ido.Withafierymustache.

InTranslation"dragon"isthekeyword.IntheEnglishlanguage，the"dragon"asa"devil"interpretation.WheneverthetermandWesternideologieswillimmediatelyshowedanuglyfaceofthedevilarethreateningmannertowardhumans，Itisnotdifficulttoseethe"dragon"inWesternlanguageandcultureimplicitlypejorative.InChineseculture"dragon"symbolizestheword"elegance，andthesupremacyof"Italy，formeremperoroftheChinesepeopletocall"therealdragontheemperor."Thus，the"Dragon"relatedtothemajorityoftermsagreedwithgreatreverence.IftheChineserefertothemselvesas"descendantsofthedragon";Longfortheirchildrenforthefutureofpromising"succeed.""Dragon"intheEastandWestlanguages，itsculturalimageofthenaturalimplicationisabsolutelycontrary.Inshort，althoughthephenomena，buttheimplicationiscompletelydifferent.Evidently"carabiniere"hardTranslation"dragon"isclearlyinappropriate.WhentheChineseaudiencewatchingthefilmHumi

he

ar，"carabiniere"thewordTheycertainlywillimmediatelythinkof"he"maybe"theRoyalCavalry."ButYishabeilaanswertoallowtheaudiencetothefilm''''selaboratethoseinducedbyconsciousnessalteringclouds.Viewerscannothelpbutask:Theupright"RoyalCavalry，"ishow"ared-hotlong-bearded"?

InChinesetradition，historyandculture，Onlythosewhohavemoreheadsandhandsofaterriblemonstergreeneyebrows，redbeardedface.SuchcopyingcannothandlethingstothelanguageandtheculturaldislocationImagesofthethornyissues，alsonottranslatedthisvividlythetruemeaningofdialogue，buttothesemanticcontextofthelinksetupalanguagebarrier.Therefore，inthecasesofChinaandEgyptandYishabeilaincreaseinthelastparagraphofdialoguemighttranslateasfollows:Edgar:Oh，youwantadragonOh，youdonotwanttomarryabarbarian!?Isabella:Yes，Ido.Withafierymustache.Yes，alsoalong-beardedred-hot.AstheEast-Westculturaldifferences，thefilmtr

ans

lationofmanyEnglishwordsifthehardwaredirectlytranslated，willmaketheChineseaudienceunacceptableandendorsements.Inaddition，thefilmversionofthetranslationoffilmscreenswitchingtimeconstraints，notastranslatedliteraryworks，insomeobscure''''sOfficetomakesomenotes，sowewillhavetogivewhiteaudience:a，aviewthatisfullyunderstood.ThetranslatorshouldbebasedonnationalaudiencefromtheaudienceweredubbedinTibetantastetoappreciatetheartofperspective，Selectionofthenationallanguageandtheoriginalartismostsimilartotheunit，mostclosetothenationalaudienceforthefamiliar，readilyacceptthetermsandculturalimagerytothefilmtranslation.

Insummary，intheTrans-Culturebackgroundmustaccuratelyexpresstheimplicationwhichthemoviemustreflect，macroscopically，thetranslatorwantstounderstandtheculturecontains，thetranslationelementarytheoryandtheskill，andinonmicroscopicmustobservethedifferentlanguagefamilycarefullythenationalculturetradition，theculturalcontentandtheculturalpsychologydifferenceperformstocontrastandtheanalysis.Onlytheninconsideredtheforeignlandcultureunderthepremise“theletter，reaches，elegant”mergesintooneorganicwhole，causesthetranslation“thegod，theshape”andthecyclopentadiene，likethiscanguaranteetheculture“thefacsimile”therealization，cancompletetheculturaltranslationtruly.

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